Track Premiere: Alluvial Fans – “Droves”

TFN is excited today to premiere a new track from Detroit’s Alluvial Fans. “Droves” is the second single off of their forthcoming sophomore album Earth To Astronaut, which will hit the streets officially on June 5th, 2020. The track showcases the diversity that Alluvial Fans brings to your speakers. A quiet acoustic guitar intro, reverse … Read more

X: Alphabetland [Album Review]

X AlphabetlandFat Possum Records [2020] Of the bands that came out of the L.A. scene in the late 70’s and early 80’s, I tend to connect X with those bands that had a strong roots music connection that fueled their creativity. X arrived on the punk scene playing hard, fast sounds, sparked by the unique … Read more

King Gizzard & The Lizard Wizard: Chunky Shrapnel [Album Review]

King Gizzard & The Lizard Wizard Chunky ShrapnelATO/Flightless Records [2020] Who: The band hails from Melbourne, Victoria, Australia and have been making music together since 2010. Sound: What makes King Gizzard and the Lizard Wizard so interesting is the genres they tackle. Their musical styles include: jazz, thrash-metal, psych-pop, prog-rock, psychedelic folk, and blues to … Read more

Brendan Benson: Dear Life [Album Review]

Brendan Benson Dear LifeThird Man Records [2020] Brendan Benson has the enviable position of being the other front man in the Raconteurs who shares the stage with Jack White, and the rhythm section of Jack Lawrence and Patrick Keeler. He shares half the vocals, plays guitar and somehow fades into the shadows every-time White steps … Read more

Artists Of The Week: Discover, Support, Share

This week TFN features the surprise return of a North Carolina artist, some super catchy punk power pop out of Nova Scotia, and a possible final record from a indie blues rock duo from Vancouver – Please Discover, Support, Share! Elvis DepressedlyAsheville, North Carolina Elvis Depressedly, the long-running project of prolific songwriter Mathew Lee Cothran, … Read more

Fiona Apple: Fetch The Bolt Cutters [Album Review]

Fiona Apple Fetch The Bolt CuttersEpic Records [2020] The title of Fiona Apple’s fifth album is telling. Drawn from the British crime-drama “The Fall,” which featured Gillian Anderson as a detective who, discovering some shackles where a woman has been abused, cries out: Fetch The Bolt Cutters. Those words become a metaphor for an artist … Read more

Andy Hampel: Nightshift [Album Review]

Andy HampelNightshiftSelf-Released [2020] There is nothing better right now than being able to complete some long overdue projects with the extra time we have staying at home. For Andy Hampel, that solitude has produced his first solo record, Nightshift. Who is Andy Hampel you ask? He is a current member of Columbus Ohio’s lo-fi indie … Read more

The Black Watch: Brilliant Failures [Album Review]

The Black WatchBrilliant FailuresA Turntable Friend Records [2020] Since the bands beginnings in 1988, founder and consistent member John Andrew Fredrick has now written and released eighteen The Black Watch albums with Brilliant Failures. That is a very long resume of indie rock for a band that still probably will be new to most of … Read more

Soul Asylum: Hurry Up And Wait [Album Review]

Soul Asylum Hurry Up And WaitBlue Élan Records [2020] Soul Asylum came of age in the early 80’s in the Twin Cities of Minneapolis/St. Paul playing the same clubs as Husker Du, The Replacements, The Suburbs, who all went on to sign major label record deals. Led by singer David Pirner and guitarist Dan Murphy, … Read more

Muzz – “Red Western Sky” [Video]

Muzz, the new project of Paul Banks (Interpol), Josh Kaufman (producer/multi-instrumentalist and one third of Bonny Light Horseman), and Matt Barrick (drummer of Jonathan Fire*Eater, The Walkmen, and Fleet Foxes’ touring band), announce their self-titled, debut album, out June 5th on Matador, with this new single/video, “Red Western Sky.” The album, written, arranged and performed by all three.
 
Muzz was born out of longstanding friendship and collaboration. Banks and Kaufman have known each other since childhood, attending high school together in Spain before separately moving to New York. There, they independently crossed paths with Barrick while running in similar music circles. They kept in touch in the following years: Barrick drummed in Banks + Steelz and on some of Kaufman’s production sessions; Kaufman helped on Banks’ early Julian Plenti solo endeavour; various demos were collaborated on, and a studio was co-bought.
 
Taking shape at a simmer, the first Muzz recordings date back to 2015. A typical session incorporated demos Banks or Kaufman brought to the table with room for any member to build upon, or with a new skeleton composed during a jam in the live room. All three contributed lyrics and helped shape things vocally (a first for Banks who is usually the sole lyricist). “Josh has more training as a theory musician while Paul comes from a different perspective,” Barrick says. “You never know how Paul’s gonna approach a song, lyrically and melodically, so it’s always unusual and exciting. Everyone is open to everyone else’s ideas. I think three is a great number of people for a band. We all had a big hand in everything.”
 
Sonically, “the music has this weird, super removed vibe but is also personal and emotional at the same time,” Kaufman says. “If something felt natural in a simple way, we left it. I’d never heard Paul’s voice framed like that—a string section, horns, guitars—we know none of that is visionary but it felt classic and kind of classy.” In fact, the band’s name holds a meaning that serves to describe that very feeling – Kaufman used the word “muzz” to describe the music’s subtle, analog quality and texture.
 
In conjunction with today’s announcement, Muzz present the galloping “Red Western Sky” with a video, directed and produced by the band. It’s the first video to ever be shot at the immersive, psychedelic American Treasure Tour Museum, a location chosen after a Barrick family visit. The single follows two previously released songs—the sparse and rustic “Broken Tambourine” and “Bad Feeling,” which chimes with melodic introspection. No matter the sonic direction Muzz go, they go there as if effortlessly and with maximum emotional charge.

Pre-order Muzz
https://muzz.ffm.to/muzz
 
Muzz Tracklist:
1. Bad Feeling
2. Evergreen
3. Red Western Sky
4. Patchouli
5. Everything Like It Used To Be
6. Broken Tambourine
7. Knuckleduster
8. Chubby Checker
9. How Many Days
10. Summer Love
11. All Is Dead To Me
12. Trinidad

Trace Mountains: Lost In The Country [Album Review]

Trace MountainsLost In The CountryLame-O Records [2020] In the two years since Dave Benton’s Trace Mountains released its debut, A Partner To Lean On, his life changed. Those changes include multiple big events that can completely alter your course such as the dissolution of his main band, LVL UP, which he co-founded in college, and … Read more

Brendan Benson – “Richest Man” [Video]

The Raconteurs frontman, Brendan Benson, has shared the Wartella-directed video for “Richest Man,” the newest single from his first solo LP in almost seven years, DEAR LIFE and first album for Third Man Records which is out April 24. You can pre-order the album HERE.

“This was a very different video making experience,” Benson said. “I had to pantomime the whole thing with notes from Wartella (who lives in another city), about the different scenes. I had to hold an imaginary umbrella and arrange an imaginary vase with flowers. It was all very mysterious and I had no idea if I was doing a good job or anything until it came back after being animated. Turns out I’m a pretty good mime!”

Benson finds himself in an enviable spot as he enters the third decade of a remarkably creative, consistently idiosyncratic career – an accomplished frontman, musician, songwriter, producer, band member, husband, and dad. DEAR LIFE marks this consummate polymath’s most inventive and upbeat work thus far, an 11-track song cycle about life, love, family, fatherhood, and the pure joy of making music. Produced and almost entirely performed by Benson at his own Readymade Studio in Nashville, the album sees the Michigan-born, Nashville-based artist – and co-founder, with Jack White, of The Raconteurs – reveling in a more modernist approach than ever before, fueled by a heady brew of cannabis, hip-hop, and a newly discovered interest in software drum programming.

Benson has been live-streaming a song from his Instagram every day as part of his “Boy In A Bubble” series — tune in at 4:20pm CT every day HERE.

Flat Worms: Antarctica [Album Review]

Flat Worms AntarcticaGOD?/Drag City Records [2020] Who: Los Angeles-based Flat Worms clean up a tad for their latest LP. Sound: California fuzz-noise punks get special treatment from recording engineer Steve Albini, with mixed results. TFN Final Take: Part of my joy of listening to Flat Worms albums was the sharp post-punk songs rising to the … Read more

The Strokes: The New Abnormal [Album Review]

The Strokes The New AbnormalCult/RCA Records [2020] It’s been long enough since the band’s 2016 EP Future Present Past, which was little more than a solid single with a couple of extra B-sides, to have concluded that the return of The Strokes at the top of their game on a full-length release was not in … Read more

Once & Future Band: Deleted Scenes [Album Review]

Once & Future Band Deleted Scenes Castle Face Records [2020] Progressive rock music in 2020 is still far from the norm but Oakland’s Once & Future Band have a flare to them that brings a modern touch to their classic ELO and Alan Parsons Project sound on their sophomore album Deleted Scenes. For this record … Read more

Phoebe Bridgers – “Kyoto” [Video]

25-year old singer-songwriter Phoebe Bridgers has confirmed details of her sophomore solo album, Punisher, to be released on Dead Oceans on June 19th. Today’s announcement comes with a new video – for brand new single “Kyoto” – a song she wrote following her first trip to Japan in February 2019. Bridgers will perform “Kyoto” on tonight’s episode of Jimmy Kimmel Live! – live from her Los Angeles’ bathroom.

You can pre-order the new album HERE.

Swamp Dogg: Sorry You Couldn’t Make It [Album Review]

Swamp Dogg Sorry You Couldn’t Make ItJoyful Noise Recordings [2020] Who: Jerry Williams Jr. a.k.a Swamp Dogg has been making music since the 1950s. In the 1960s he also had his hands in some production work. It wasn’t until the 70s when Swamp Dogg was born. Sound: Swamp Dogg is pure Southern soul. Listening to … Read more

The Beths – “Dying To Believe” [Video]

The Beths announce their new album, Jump Rope Gazers, out July 10th via Carpark Records, and share its lead single/video, “Dying to Believe.” Jump Rope Gazers is the follow-up to Future Me Hates Me.

After touring non-stop for a year and a half, playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie, The Beths regrouped to write and record Jump Rope Gazers. The band – composed of Elizabeth Stokes (vocals/guitar), Jonathan Pearce (guitar), Benjamin Sinclair (bass), and Tristan Deck (drums) – settled down at Pearce’s Auckland studio, where he recorded and produced the album.

Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. Rambunctious lead single “Dying to Believe” reckons with the distance that life necessarily drives between people over time: “I’m sorry for the way that I can’t hold conversations // They’re such a fragile thing to try to support the weight of,” Stokes sings. The accompanying visual is an eccentric four-step “How to be the Beths” instructional video featuring the band.

Touring far from home, The Beths committed to taking care of each other while simultaneously trying to take care of friends living thousands of miles away. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it.

Pre-Order Jump Rope Gazers: HERE

Jump Rope Gazers Tracklist:

  1. I’m Not Getting Excited
  2. Dying to Believe
  3. Jump Rope Gazers
  4. Acrid
  5. Do You Want Me Now
  6. Out of Sight
  7. Don’t Go Away
  8. Mars, the God of War
  9. You Are a Beam of Light
  10. Just Shy of Sure

The Beths Tour Dates:
Sun. Nov 8 – Perth, WA @ HBF Park*
Wed. Nov. 11 – Melbourne, VIC @ Marvel Stadium*
Sat. Nov. 14 – Sydney, NSW @ Bankwest Stadium*
Tue. Nov. 17 – Brisbane, QLD @ QSAC Stadium*
Fri. Nov. 20 – Dunedin, NZ @ Forsyth Barr Stadium*
Sun. Nov. 22 – Auckland, NZ @ Mt Smart Stadium*

*w/ Green Day, Weezer and Fall Out Boy

Wax Machine: Earthsong Of Silence [Album Reveiw]

Wax Machine Earthsong Of SilenceBeyond Beyond Is Beyond Records [2020] Brighton’s Wax Machine comes at you with a full psychedelic sweep on their debut full length Earthsong Of Silence. The band offers a blend of jazz, folk, funk, tropicalia, and exploratory rock which is an accurate description as this record expands on the great singles and … Read more

Watermelon Slim: Traveling Man [Album Review]

Watermelon Slim Traveling ManNorthernBlues Music [2020] Watermelon Slim, originally born as William P. Homans III, has come to his career in blues music by a unique path, which explains the nearly 30 years between his first recorded work and his next. A Vietnam vet, Homans tried farming, made a living as a truck driver, earned … Read more

Pearl Jam: Gigaton [Album Review]

Pearl Jam GigatonMonkeywrench/Republic Records [2020] It’s too easy to look at a band in its 30th year, long established as an arena filling commercial force, with cynicism when they release their 11th studio album as an attempt to hold on to past glories or as tired veterans taking advantage of fans with one more attempt … Read more