Weekend spent most of 2012 writing, recording, and painstakingly mixing the 10 songs that comprise Jinx, once again with Monte Vallier at Ruminator. During this time, Weekend relocated cross-country to the already heavily saturated Brooklyn music scene. The trio had collectively grown weary of the trappings of home. Durkan states, “Feeling at home is evidence of stagnation and so I’m happy to say New York still feels alien to me.” Despite the drastic change of scenery, he maintains “Geographically-based music scenes are for the most part defunct due to the internet but I don’t think we’ll ever be part of any scene. We stand on our own.”
When asked to describe the album in three adjectives, Durkan stated: “Volatile. Cathartic. Bittersweet. The record is a collage of inspiration and ideas from each member of the band. Shards of experiences, images, smells, sounds molded into something we can collectively call ours.” The album visually represents the music as well, through personal possessions of each band member that “had singular and emotional connections to and democratize it through a physical process. Painting the objects black adds a new, collective ownership over the previous personal meaning. [There is] the coalescence of our individual art to make something new, stark, and powerful.”
Mail order copies of the LP come on two-tone blue splatter vinyl with poster and sticker while supplies last. The retail copies are two-tone yellow splatter. The vinyl format is a double 12″ cut at 45rpm for maximum sonic impact. LP includes a code for a free download. You can pick up a copy HERE.
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